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Slide it up to zoom in and down to zoom out. The white line on the right of the interface is the zoom control. To get back to manual, just double tap again. The autofocus reticle can also be locked, the same way. It simply takes the focus from whatever is in the centre of the frame. When in autofocus mode, you cannot move the reticle. For example, if you are vlogging or you just want to film live and you want the focus to keep adjusting. This might be useful if you want the focus to adjust during the shot. Just double tap the reticle and it expands. There is actually a way to set this to autofocus. You can see the focus change.Īgain, normally we would tap to lock the focus reticle before hitting record. Move the focus reticle over the close object, now over the distant object. Put something close to the camera so you can see how this works more clearly. If you move the camera around, the focus won’t change. #Activation code time lapse tool pro android#Move it around to set focus.īut, in the Android version, the focus reticle is not in auto. The focus reticle works similarly to the exposure reticle. Sky remains same exposure while buildings darker. So you might lock exposure and parts of the image will continue to adjust. But when using it with an iPhone, it cannot be disabled. #Activation code time lapse tool pro pro#When you use FiLMiC Pro for android, it disables dynamic tone mapping. ![]() #Activation code time lapse tool pro iso#The sky might be 50 ISO while the land is 500. Because the tone mapping function wants to adjust ISO differently for different parts. #Activation code time lapse tool pro manual#The HDR software will try to even out the exposure so you can see both the land and the sky.īut this is not compatible with manual control. The most obvious example is when you are filming a landscape and the sky is way brighter than the land. Software in the camera looks at different areas of the image and adjusts the exposure level not for the whole frame, but for different parts. In a smartphone, dynamic tone-mapping is basically an HDR function. Dynamic Tone Mapping disabled by FiLMiC Pro (see notification at top) Dynamic Tone-mapping Rather than take the exposure reading for a point indicated by the reticle, it uses the whole frame. If you double tap the exposure reticle it changes mode. If you start recording, it will continue to adjust live, just like with your native app on auto. So if you move the camera around, you can see the exposure adjusting live. If you don’t lock the exposure reticle, the exposure will be on auto. Then, usually, we lock it before we start filming. If you want to expose the room, place it over the room. If you want to show what’s outside the window, place the reticle over the window. But if there is a wide contrast, like say with a window in daytime, then one area might be over exposed or under exposed. If the lighting is very even across the frame, it might not make much difference. So, the idea is, you choose the area of the frame you want the camera to expose correctly. Just like with your native app, when you move the unlocked exposure reticle around the frame, it takes a reading from that area. ![]() If they are red (locked) no change will take place. Wherever you place the reticle, FiLMiC Pro will take the reading from that area of the screen.īUT only if they are white unlocked. The reticles can be moved around the screen, just like the native camera app reticle. In FiLMiC Pro that reticle has been split into 2 reticles, so you can control them separately. But that reticle is for both exposure and focus. In your native app you probably also have a reticle, which goes yellow when you lock it. You can lock and unlock them just by tapping them. So, the circle is your exposure reticle and the rectangle is your focus reticle. ![]() If you just tap this button here a couple of times, you should have both reticles – but they will be red. If you don’t see one or both of these, or they’re red, then either you have one of the manual control wheels open or the reticle is locked. For example, like the crosshairs in a sniper’s sight. But a reticle is basically a series of lines or marks which form a measuring or locating aid for some kind of optical device. I’m not sure if I used the word reticle before I started using FiLMiC Pro. When you open up FiLMiC Pro, in the middle there’s a white circle and a white rectangle. #Activation code time lapse tool pro pdf#DOWNLOAD a PDF of this Article as a convenient Reference Guide A Circle & A Rectangle ![]()
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